Diary entry - 28/1/2019
The
canteen window gestured to the winter sky, desperately preparing to pour down. When
the heavy clouds were brawling, my lips were soaked in the steam puffing
sugarless coffee. Very typical of a semester beginning, thoughts were grazing
in the valley of academia until the glaring clock pulled my eyes out of its
sockets. I gulped down the coffee with an oily bite of omelet and rushed into
the lecture hall on the first floor.
Into
the cacophony of the room, the professor with strangely fashioned white
whiskers entered and verbally involved himself in Mrinal Sen and his art.
Though impregnated with wisdom, it went tiresomely long till he paused!
The
lights disappeared for the projector to beam moving images, Bengali font and
English subtitles. Despite many impeding heads of various sizes, planted on
necks of various lengths, I read -
Chaalchitra
Directed by Mrinal Sen
After
one and half hours of intermittent fits of laughter and journeying into old memories,
I walked out of the red brick building- a little contented and calmer! Out in the dark, the neon lights were waiting
to hear my madness…
Who are we? Stories. We are stories that are
inherited, invented and shared.
The world is divided into stories that are unfamiliar
and familiar. Unfamiliar stories may incite our nerves of curiosity but we can
only be trespassers in that premise. We
truly belong to stories that are familiar and no struggle is required to sense the
embedded layers. Isn’t that how home feels like?
What is home for most of us? Probably a concrete configuration
which is a phone call away, a few text messages away or flight tickets away. To
me, home is memories away and mostly, a matter of physical absence. Chaalchitra took me home through its
quintessential representation of middle class lives. Its conflicts, gatherings
and aspirations never felt like an alien visual experience but a reminder of
all that has been lost and unforgotten. It took me back to all those distant
and otherwise unremembered moments which still root me to life.
The first fourteen years of my life belong to an
insignificant rural geography from where I saw the world less complicated and
more kind. Remaining seven and half years of my life saw half a dozen
geographical displacements and perturbations. Displacements were revelations,
as they disentangled me from the notion of home as four walls. Consequentially,
detachment and existential crisis solidified. No one, nowhere or nothing to go
back to is a quotidian dilemma. The only prayer I know is, “I am everyone’s
none.”
At times, the journey to adulthood is nothing but a
swelling void. Supposedly, we try to fill it with our materialistic
achievements but it is never enough! We travel miles and hours and still remain
as empty as ever or even more. We are lost, not knowing whether to exist
aligning with farcical norms or to pave a path against the odds or simply, give
up. Almost half a year into a big city,
I know for a fact that even if bigger cities beckon me with the best of opportunities
and promises, I can only be an adulterated version of my true self there. I can
only be the refugee with better surviving skills. I can only be someone else
but not me.
Where did I
lose myself? Where am I? Where can I find myself?
In a dominantly
factual and quantitative world, these questions may appear to be too invalid to
be answered. As long as they remain unanswered and unaddressed, you are
enslaved to textbooks, office cabins, luxuries offered by credit cards and
psychiatric prescriptions.
Yes, I am light years away from my happier version. I
am light years away from my hopeful version. I am light years away from my
peaceful version. I am constantly searching for myself.
I liked the piece. It's quite thoughtful.
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